Atanas Botev, an Artist, the man who put the Swastika
on the Greek flag, sat down for an interview with us.
Few days ago,
Atanas, promoting his Art Exhibition placed numerous billboards in
Skopje which caused an avalanche of reactions from Greece, but not
much in Macedonia. On the billboards, Atanas
showed the Greek flag with the Swastika replacing the cross, and in
the middle of it placed his family, expelled from Aegean Macedonia by the
Greek Authorities 60 years ago. Atanas named the photo "60 years
exodus". Botev is widely regarded as an artist of the
future, ahead of his peers, who with his art decodes, transcends, and
looks into the seriousness of the humanitarian crisis we are facing. He is not enslaved and does not follow any styles nor
standards set by peers or society in general. He redefines reality,
puts the viewer in a position to feel courage, anger, cinism, humor,
and most importantly to think.
-It is a sad day when art is used for political purposes. After
all, anything can be and is used for political purposes. What is the
point of free speech, particularly for an artist when this is
happening? Art Spiegelman for his graphic strip "Maus"
where he portrayed the suffering of his parents in the Holocaust, won
the Pulitzer. Germany did not react, rather it gave him an award. No
one used his parent's suffering in the Holocaust for political purposes.
Why did you choose the Greek flag with the swastika, and your
family on it for your billboards? -Whatever photo I choose would
have created an avalanche of reactions. All of my photos are in a way
provocative, obscene, obscure.
The billboards caused a protest note from Greece. There were no
reactions from Macedonian citizens. This photo is very personal for
you...
-This year is the 60 year anniversary of the Macedonian exodus
from Aegean Macedonia. On the photo I put my family, the photo was
taken right before they were deported in 1948. The photo is an
intimate story and dedication to my family and thousands of other
families who were forced out of their homes and moved into different
countries all over the world.
Do you feel some sort of freedom when you show the public what
have you been working for the past years ? -I suppose you can say
this is in a way, a type of therapy. A creative way to channel your
energy and the inner self. The end result after two years of
difficult work are photos whose positive energetic feedback offers
the catharsic feeling and brings joy in our every day entropy.
From your photos you speak of themes of deconstruction, painful
questions for humanity, the dark side of the priesthood, sexual
deviancy, homosexuality, drugs, luxury. What draws you in these
themes?
-An artist, today, can't think of ones self. Rather, you turn to
the world, enter it and change it. An artist is simply a part of
society's processes, and with it must react to whatever you are
surrounded by, transforming your feeling into a photo, painting,
illustration. In my pieces I look into different aspects of human
living: from terrorism, globalism, sexual deviations, expansions of
narcocism to popular culture (strip, film).
The themes in your photo, are darker, with apocalyptic future for
mankind, but still you give a dose of cinism, hope and humor. How do
you see the future, and can artists influence the present and
history?
- Although we can't influence the world stage events, we are
capable of starting up public debates, rethinking of certain thoughts
and opinions in different spheres.
|